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FLEUR WICKES

  • Fleur Wickes
  • It's beautiful here collection,2025
  • 2011-2023 Collection
  • Art Shop
    • Stockroom, 2025
    • Limited edition prints
    • Special edition prints
    • FW POP
  • Interviews
  • Contact
  • Newsletter
  • Projects
    • Threshold 2024
    • This life unfolding, 2020
    • Tenderness, 2019
    • 2019 - fwstealthdrop
    • ArtHouse Wellington, 2018
    • Domestic installations
  • Studio sessions
  • Layby

Layby: how some of the best art collections in the world have been made.

The lovely boys, on my lounge wall.

The lovely boys, on my lounge wall.

The lovely boys, from a long time ago

May 01, 2018 in 14 Glasgow Street, Artwork

I made this photograph in 1991.  It hung in my mother’s house for a coupla decades.  I’ve just hung it in my lounge. 

I love this photograph. 

I called it The Lovely Boys because they were my flatmate’s sons best friends, and they were wild, and lovely.

This photograph, it reminds me where I started from. 

I was 21 and heavily influenced by Richard Avedon and Diane Arbus. 

My favourite thing about it - apart from the dirty beauty of the boys - is the spit on the lip of the boy on the right. As a portrait photographer for over two decades, I  was always looking for someone’s beauty, but as well I was looking for that extra thing within an image that couldn’t be constructed.  Like the spit on the lip of the boy. 

I’ve begun to miss people’s faces and what I saw there. 

Maybe it’s because for the first time in about thirty years, I’m living on my own.  Maybe it’s the deep connection I generally formed with my portrait subjects that I miss. 

It is such an honour, when someone trusts you enough to open up in front of you.  Let’s you see inside.

The lovely boys, closeup of print. 2018

The lovely boys, closeup of print. 2018

Tags: portraiture
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